Video Guitar Lessons: Essential Blues Guitar Volumes 1& 2 With Video Guitar Lessons: Essential Blues Guitar you can watch videos over and over as Danny Casavant describes and shows you exactly how he is playing; it′s like having your Guitar teacher always on-call! Band-in-a-Box files each include a song memo describing the phrase and since they are Band-in-a-Box files you can open the Notation window to view the chord symbols, notation and Guitar tablature, adjust the tempo to match your skill level and quickly change the key signature to learn the phrases in all twelve keys.
Open the Guitar Fretboard window to see exactly how the phrases are being played. These files were recorded with a MIDI Guitar controller so the displayed fingerings on the Guitar Fretboard window will be exactly how they were originally played. As the video plays, the notation scrolls along, so you can see the tab in sync with the video. Stereo separation puts guitar on the left side and bass ⁄ drums on the right, so you can isolate the instruments. NOTE: The Mac version requires Band-in-a-Box (version 12 or later) for full functionality - there is no stand-alone application available. Essential Blues Guitar Volume 1: 101 Riffs Includes 101 Lessons, with over 5 hours of video guitar lessons with Blues Guitar master Danny Casavant. Each of the 101 'Riffs' has a Video lesson of over 3 minutes in duration, with a complete 12-bar chorus transcribed in notation and TAB, and displayed on-screen, and also available for printout.
Also includes Band-in-a-Box files so that you can practice the riff chorus with a rhythm section. Essential Blues Guitar Volume 2: 20 Tunes 20 complete 4-5 minute Blues Guitar tunes with soloing by Blues Guitar master Danny Casavant.
Watch these videos over and over, viewing the fretboard action (right and left hands), the on-screen notation, and guitar tab as you learn to play these great solos and techniques. Also included are the Band-in-a-Box files for these tunes, that you can practice at your own speed, or transpose them to new keys.
The Jazz Guitar Master Class is a fully featured instructional music program containing interactive guitar lessons. Master jazz guitarist Oliver Gannon is your teacher in a software program designed to illustrate basic skills to the beginning guitarist and to enhance the skills of more advanced players. 60 Lessons You'll be studying 60 lessons with topics such as Chord Voicings, Inversions, Right Hand Techniques, Comping, Scales, Modes, Arpeggios, Common Progressions, Improvisation, Chord Melodies and more. Each lesson has an accompanying exercise and a tip on how to practice it. The lessons refer to the 10 program tunes, which feature common chord progressions in a variety of styles and tempos. There are also reference sheets and practice (backing) tracks. Feature Rich Multimedia We've digitally recorded 60 lessons (over 5 hours of verbal instructions) with more than 60 related MIDI and audio exercises, 60 audio exercise tips, as well as 11 practice tracks.
All are linked to powerful multimedia features, allowing you to see and hear note-for-note exactly what Oliver Gannon is teaching. With the Jazz Guitar Master Class you can study the lessons, hear the music and play along with a top musician. Learn the Skills Develop pro skills by studying the extensive guitar exercises. Each exercise is accompanied by an 'exercise tip', containing ideas on practicing, hand positions, tempos and more.
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Advanced multimedia features directly link each lesson to a suitable exercise. Loop, Pause, Advance and Backup controls make learning and practicing easy. With the Jazz Guitar Master Class you don't just hear how it's played, you see how it's played!
PG Music Video Guitar Lessons Essential Jazz Guitar Vol. 1-3 FOR MAC P2P 12 February 2018 1.29 GB Watch these videos over and over as Oliver Gannon describes and shows you exactly how he is playing; it′s like having your Guitar teacher always on-call! Band-in-a-Box files each include a song memo describing the phrase and since they are Band-in-a-Box files you can open the Notation window to view the chord symbols, notation and Guitar tablature, adjust the tempo to match your skill level and quickly change the key signature to learn the phrases in all twelve keys. Open the Guitar Fretboard window to see exactly how the phrases are being played.
These files were recorded with a MIDI Guitar controller so the displayed fingerings on the Guitar Fretboard window will be exactly how they were originally played. As the video plays, the notation scrolls along, so you can see the tab in sync with the video. Stereo separation puts guitar on the left side and bass ⁄ drums on the right, so you can isolate the instruments. NOTE: The Mac version requires Band-in-a-Box (version 12 or later) for full functionality - there is no stand-alone application available. Essential Jazz Guitar Volume 1: 101 Phrases 'High Comping' Phrases Complete with Video Memos and Band-in-a-Box files, this package has everything you need to learn to play great Jazz Guitar comping phrases with voice leading and harmonized lines.
Each of the 101 phrases includes a video memo with award winning Jazz Guitarist, Oliver Gannon. Essential Jazz Guitar Volume 2: 101 Phrases 'Low Comping' Phrases Complete with Video Memos and Band-in-a-Box files, this package has everything you need to learn to play great Jazz Guitar comping phrases in the style of Freddy Green and other comping masters. Each of the 101 phrases includes a video memo with award winning Jazz Guitarist, Oliver Gannon. Essential Jazz Guitar Volume 3: 20 Tunes (Comping) Contains 20 complete Jazz Guitar tunes featuring Jazz Guitar comping ('chording') by Jazz Guitar master Oliver Gannon. Each video is 4-6 minutes long and shows the guitar fretboard with right and left hand action as well as on-screen notation and tablature, synced to the music. This is a great way to master the finer points of Jazz Guitar comping.
These soloists play authentic Bluegrass Solos on banjo, flatpick guitar, mandolin, fiddle and piano. Combined with our Bluegrass styles (eg. Jethro), you'll have a full 5 piece Bluegrass band playing leads to any song that you type in the chords to. Generate a new and authentic Bluegrass solo every time!
Type in the chords to your 'Bill Monroe' favorite, pick the Jethro style, and press the SOLO button. You'll have a 5 piece Bluegrass band playing rhythm and trading hot licks - the place will be hoppin'. And it took you less than a minute to enter the chords! The soloists can stay on one instrument, or switch among the 5 Bluegrass instruments every 4, 8 or 32 bars - just like a real Bluegrass band! This Soloist Set has 3 soloist databases: Jazz Ballads, Django and Jpass guitar.
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The Ballad Soloist is specifically designed for slow tempo ballads and can be used with any instrument. The Django Jazz Swing Soloist enables you to create instant solos, based on any chord changes, in the style of the great Belgian Jazz guitar virtuoso. JoeP Jazz Guitar Soloist - This mainstream-bebop Soloist was made specifically for Jazz Guitar, although it will work fine on any guitar or keyboard instrument. Create instant solos in this genre for your tune or for study and analysis. This set includes great Saxophone Soloing in both Swing and Modern styles - created specifically for the nuances of the saxophone. The Swing Sax Soloist is in the style of some of the great older masters-Hawkins, Webster, Lester and others. In just seconds, Band-in-a-Box® will create a great solo in this genre and you can create an unlimited number of them.
If you are looking for a more modern feel (Bird, Trane, Shorter, Henderson, etc.) choose the Modern Sax Soloist. Create a great Sax solo (Alto, Tenor or even Bari) to insert into your tune, or to learn more about soloing, or even to create unlimited sight-reading material. Adds 3 great background Soloists - 'Peaceful' (slow), 'City' (medium) and 'Exciting' (fast) - to any of your Band-in-a-Box® soundtracks or compositions. The Peaceful New Age Soundtrack Soloist will create peaceful, tranquil solos for any composition or soundtrack project. City Soundtrack Soloist will generate a medium tempo corporate type of solo. The Exciting Soundtrack Soloist generates busier, high energy solos. These Soundtrack Soloists are ideal for adding musical content to your soundtracks or music compositions.
Jazz has to swing, and it has to groove - the key is the swing eighth note, which in jazz has a slightly different inflection at different tempos. Each tempo category in Real Jazz was recorded for accuracy to capture the correct relationship of the notes in the swing pattern. With all of the different tempos represented in this collection, it is easy to keep the correct swing feel intact. The MIDI grooves include 2-beats, 3/4, 4/4, 5/4, ballads, and shuffles for both sticks and brushes. Real Jazz even includes some bop and jungle grooves. 33 Jazz RealTracks: We expanded our 'pollwinner' collections with more RealTracks by some of the greatest jazz musicians in the world!
We have jazz waltzes, ballads, jazz swing and bossa RealTracks made with such recognizable names as Phil Woods (alto sax), Ron Carter (bass), Kenny Barron (piano), Lewis Nash (drums), Gary Smulyan (baritone sax), Eric Alexander (tenor sax), and Mike Moreno (electric guitar). This all-star band is any jazz musicians dream, and you can have them playing over any chord progression in any key, simply by typing in the chords into Band-in-a-Box! In addition to these RealTracks, we also have some great 'Funky Folk & More' styles, with Gypsy-Folk styles on guitar and banjo. We also have Jazz-Funk synth styles, and an ever-increasing selection of sax & flute RealTracks soloists. As if that wasn't enough, we cover the 'Rockabilly' genre in our jazz collection with some rollicking 'Jive' styles. 32 Country RealTracks: Our 'Rockabilly explosion' continues in the country sets with two distinct groups, a group of 'Boom-Chick' RealTracks in the style of the great country musicians of the 50s, as well as a slow swing group of RealTracks in the style of the earliest Rock 'n' Roll and Country. Also included in the country collection are more 'New Orleans' styles to add to our existing collection.
We have a 'Mardi Gras' group of RealTracks, as well as a cool shuffle. In addition, we've got more great styles by Nashville guitar master Brent Mason, this time playing fantastic electric baritone guitar styles, including a Boogie soloist, 'Spaghetti Western' and more! We've also listened to our customers with several new 'Requested' RealDrums, and we've also included some 'Hip Folk' RealTracks, with banjos & guitars covering the basses. 36 Rock-Pop RealTracks: This release features the exciting new REAL String Quartets!
These are recordings of real string players playing violin, viola and cello, and can play over any chord progression you enter into Band-in-a-Box! There are 'chamber' and 'hall' variations so you can pick the right sound for your song. These styles work great over pop songs, country songs, jazz tunes, or even as the basis of a classical composition. In addition, our pop & rock collection has also been enhanced with new Horn Section RealTracks, with our 'Funky Horns'. This is a two-part sax section (alto & tenor) that works great over funk or rock tunes. We've also now added Rockabilly styles, Motown bands, and 'world' synth styles.
You're welcome Richard and I'll try to be as helpful as I can. (Sorry for my poor English and for mistakes I make using the language.) So, I am using 2014 with real tracks almost excursively now. (Previously I've worked with 2013 version) First thing I do is I open the Master Jazz Guitar Solo file (for example GS001) from the hard drive directory and I choose a real track 'Chording' Style from the dialog in BiaB. If you are familiar with choosing real tracks you may already know that in the selection 'best chording' real track you' ll find styles that match the BPM of the original file.
The program actually does most of the job for you. Then when you have the style loaded you can make the necessary adjustments. Keep in mind that the:melody' channel which caries the Master Solo remains intact as is is written in MIDI info. PG (and the Gannon brothers) have already done the 'swing feel' hard job in the Solo's for each and every one of them as they sound as good as possible in time feel. Triplets, Laybacks, etc all in perfect position as I can hear.Terrific software indeed! (One thing not human.when you perform live with other musicians tempo almost always goes up.You start for example at 160 and after 6 minutes of a human band interacting you end up 190!).
I love these solos.just wish they would do another complete set.maybe ill pm oliver gannon.anyone have his email.Master Jazz Guitar Solos vol 1-4 software includes more than 20 hours of soloing. 228 pieces of music of 6 chorus guitar soloing not to mention the hard work that must be done in both comping to each and every song and some serious chord solos added in our repertoire. Lets not forget the Melodies themselves! If one does not know the tune's melody up and down the neck it's a waste of time.It's better to learn 20 tunes in all 12 keys than to learn 200 solos!
If Charlie Parker did it and ended up being the musician he was at least we ought to give it a try. Assuming that we manage to absorb this enormous amount of material which actually covers the whole jazz mainstream and bebop spectrum ( and have it interpreted our own unique way with jazz tone, dynamics, articulation and last but not least personal feeling and musicality) I just wonder why on earth we need more stuff. I reckon by the time I' have managed to seriously practice and absorb the whole software and play some of it with other musicians in live situation ( THE most important thing I am convinced ) I should consider myself as a ready-aim-fire musician. Ems usb2 driver for macbook air. Ears will be able to recognize every progression and respond simultaneously. So If I may say this to you.You don't need more solos.you need deep and thorough knowledge of these 4 volumes and some ear transcriptions from the masters.
I keep repeating to myself that most of the Master have learned by ear.Listen what you hear, then listen what you play, then listen what you will play before you play it. Best Regards Last edited by nikoslikos; at 07:43 PM. Mark, it's a different way of thinking that of the '12 keys' studying.The main advantage is that you learn your instrument inside out.
If for example you find yourself in a gig or a rehersal where you are called to play Misty in a different key that you have train yourself to, F for example for a woman singer, you can be in a very awkward position. The real problem (and the real beauty in music I believe) hides in situations when you are called to accompany other musicians. But then again that is just my opinion Best Regards. Mark, it's a different way of thinking that of the '12 keys' studying.The main advantage is that you learn your instrument inside out. If for example you find yourself in a gig or a rehersal where you are called to play Misty in a different key that you have train yourself to, F for example for a woman singer, you can be in a very awkward position.
The real problem (and the real beauty in music I believe) hides in situations when you are called to accompany other musicians. But then again that is just my opinion Best RegardsI understand that position, which is why I included 'Yardbird Suite' as an example: that tune isn't sung, so there's no vocalist to worry about. I know that people who play with singers have to be able to play things in several keys. (I've done some of this.) But I think if you learn how to transpose, then you know how, and it's not necessary to play every tune in all 12 keys. (I think it's clear that many jazz horn players do NOT do this, which is why so many jazz standards are in horn-friendly keys such as Bb, Eb, Db, and so on, and so few of them are in B!) I think it's important to be able to transpose but I don't think it that helpful to play everything in all 12 keys. There's so much to work on and only so few hours in a day. For me, playing 'Oleo' in G is not a priority (-though I can play rhythm changes in G).
I only work on Bird blues in F, C, and Ab, though. ( I could get through them in other keys, but I don't practice, say, 'Freight Trane' in B or A.) But that's just me. I'm not saying you should do things any differently than you are.
Ι absolutely agree to everything you said! Its impossible to study everything in 12 keys! Too much material. But in some cases one needs to know how to transpose on the fly. An other thing which is neglected from guitarists is comping.Everyone wants to solo and spends all of his practice time to licks, phrases and solos but not accompaniment.Don't you agree that is is a big mistake? Jazz guitar is primarily a rhythm section instrument. It should create and sustain harmony not just execute fast and complex solo lines.
Best Regards Last edited by nikoslikos; at 01:35 PM. But I'll tell ya.just taking one tune every few months and really putting it through the paces.even if not all 12 keys, but maybe multiple keys, moving in some sort of logical pattern.man, that can teach you so much.I agree with this.
There's an Aebersold volume (#68) that takes six tunes through all 12 keys: Giant Steps, Confirmation, It's You Or No One, All The Things You Are, Stella By Starlight, and an Aebersold original called Down And Up. I don't have this one but it is on my list. Willie Thomas, who is in his 80s now and has played professionally for decades, says he practices with this every day (!) I do have the volume (#47) for rhythm changes in all keys. That's a great resource because in addition to the tracks, there's a lot of insight into various ways to approach playing over the changes.
Oliver Gannon is a great guitarist. These GP solos, although written in Midi form are excellent work. If practiced well can give someone all the knowledge needed to solo over any progression in jazz.
Regarding I also copy most of its comping material from BiaB real tracks when I study standards I consider Oliver to be the best teacher I can have. There is also 101 Jazz Guitar Phrases, Essential Jazz Guitar vol 1-2 (for comping) and of course Masterclass vol 1-2.
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In my humble opinion apart from an outstanding performer Oliver is a great instructor. Merry Christmas to all! Last edited by nikoslikos; at 03:29 AM.